Kowalski
  • Bronze sculpture by Alphonse Van Beurden
  • Bronze sculpture by Alphonse Van Beurden
  • Bronze sculpture by Alphonse Van Beurden
  • Bronze sculpture by Alphonse Van Beurden
  • Bronze sculpture by Alphonse Van Beurden
  • Bronze sculpture by Alphonse Van Beurden
  • Bronze sculpture by Alphonse Van Beurden
  • Bronze sculpture by Alphonse Van Beurden
  • Bronze sculpture by Alphonse Van Beurden
  • Bronze sculpture by Alphonse Van Beurden
  • Bronze sculpture by Alphonse Van Beurden
  • Bronze sculpture by Alphonse Van Beurden
Bronze sculpture by Alphonse Van Beurden


A fine bronze bust of a young lady signed "Alph.Van Beurden, Fonderie Batardy, Cire Perdue. Alphonse Van Beurden (Antwerp 1854 -Antwerp 1938) Dimensions: H34 x W18 x D12 cm. H13.39 x W7.09 x D4.72 inch. Alphonse Van Beurden was a student at the Antwerp Academy, where he was a student of Joseph Geefs and Edouard Dujardin ( 1868-1881). He was awarded 1st prize for sculpture in 1874 and 1877, but later taught drawing at the same academy. He also worked with Jef Lambeaux. In 1884, he became a member of “Als ik kan”. “If I can”), an association of artists active from 1883 to 1952; he sculpted busts of the members. From 1885, he taught at the Antwerp Academy. successful, he won several medals in international salons. The absolute central theme of his art lies in the field of so-called bourgeois salon art In the perfect representation of naked young people, women and especially children in stockings. age, Alfons Van Beurden excels like no other. His handling of equipment, his technical abilities and his anatomical knowledge still arouse astonishment and respect today. Van Beurden clearly preferred charm to drama, and loved the mischief and unexpected reactions of his models which he was able to express through sculpture in terracotta, marble or bronze, always with a high degree of verisimilitude. Van Beurden's qualities were not only appreciated in his home country of Belgium, but he was rewarded with countless foreign prizes, as far as Australia. He likes to represent children with great tenderness. He created the two female figures on the balcony of the Diamond Exchange in Antwerp, the allegorical “Egyptian Art” scene on the north facade of the Royal Museum of Fine Arts in Antwerp, as well as the superb 2m80 caryatids on the staircase of the museum . Other works in museums in Brussels, Antwerp and Antwerp Zoo. After 1890, he devoted himself to creating small, elegant statues. To be distinguished from his son Alphonse Van Beurden Jr or II who was above all a painter (1878-1962).

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Kowalski
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Hippolyte Meeusstraat 5 ,
2110 Wijnegem
Region: Antwerpen
Country: Belgium
Tel.: +32 (0)495 66 93 93
E-mail: info@robinkowalski.be
Website: www.robinkowalski.be
Exceptional pair of 19th century monumental bluestone lions.

Exceptional pair of 19th century monumental bluestone lions.

We will present these exceptional sculptures at Antica Namur from November 7 to 17. Exceptional pair of 19th century monumental bluestone lions. Belgium around 1840. Made by Edouard François Marchant (Antwerp 1813 –1873). Signed E. Marchant. Edouard François Marchant (Antwerp 1813 –1873). Started out as a painter before concentrating on sculpture. Édouard Marchant studied painting under Matthijs van Bree and was later encouraged towards sculting by Van den Ven who led him to study under Guillaume Geefs in Brussels. In 1836 he made an instructional tour in Paris after which he established in Brussels and married Johanna Willems (1837), niece of his master G. Geefs. He took part in the restauration of the Brussels City Hall and was responsible for the decorative reliefs of the Maes Chapel in the St Michael Cathedral. In 1859 he built a 5m high confessional for the Lanark church in Scotland. BENEZIT E. Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs. Nouvelle édition. Librairie Gründ, 1976. 10 volumes, Tome7 p164.PIRON Paul. Dictionnaire des artistes plasticiens de Belgique des XIXe et XXe siècles. Editions Art in Belgium, Ohain-Lasne, 2003, 2 volumes, Tome2 p126. Provenance: The lions originate from a neo classical Brussels mansion from 1843 at the corner of the Rue de la Loi and the Rue de Froissart. It was demolishe in the 1950’s and relocated to the Rue de la Régence 35 in the 1980’s. image001.jpg Source: Brussels-Capital Region, Architectural Heritage Inventory. Dimensions: H188 x 206 x 100 cm. H74.02 x 81.10 x 39.37 inch. Weight 6000 kg each
Pair Italian mirrors.

Pair Italian mirrors.

A pair of Italian late 19th century Baroque Giltwood mirrored wall brackets. Dimensions: H60 x W40 x D15 cm. H23.62 x W15.75 x D5.91 inch.
Pair of modernist candelabras attr. to Jacques Adnet.

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Pair of modernist candelabras attr. to Jacques Adnet. Nickel plated bronze and cristal. Excellent condition. Stamped “bronze”. French. Circa 1930. Dimensions: H14 x W22 x D7cm. H5.51 x W8.66 x D2.76inch.
A fine 19thC. Grand Tour bronze of The abduction of Deianira by the centaur Nessus.

A fine 19thC. Grand Tour bronze of The abduction of Deianira by the centaur Nessus.

A fine 19thC. Grand Tour bronze of The abduction of Deianira by the centaur Nessus. After Jean Bologna. Resting on a Louis XVI style base in griotte marble, perlage and gilded bronze. Dimensions: H54 x 32 x 16 cm. H21.26 x 12.60 x 6.30 inch.
SOLD
A beautiful sculpture of a young lady in

SOLD

A beautiful sculpture of a young lady in "Bianco Statuario marble"

A beautiful sculpture of a young lady in "Bianco Statuario marble" by Louis-Jacques (Bessègues, Gard 1873 - Montpellier 1943) Signed L Guigues. Louis-Jacques Guigues is a French sculptor , a student of Alfréd Boucher and later of August Rodin. When Boucher won the Salon Award for La Piété Filiale in 1881, he encouraged and inspired a new generation of sculptors, including Guigues, Laure Coutan and Camille Claudel. In 1922–1925 Guigues was appointed director of Ecole des Beaux-Arts in Montpellier. Musée Fabre de Montpellier Méditerranée Métropole. Dimensions: H58 x W44 x D30cm. H22.83 x W17.32 x D11.81 inch.
A 19thC. Chariot / trolley by Christofle.

A 19thC. Chariot / trolley by Christofle.

A rare late 19th century silver plated chariot or carving trolley by Christofle Paris on a mahogany base. Completely restored and silver re-plated! In perfect original condition. France c.1890s. Dimensions: H95 x 110 x 70cm. H37.40 x 43.31 x 27,56 inch.
SOLD
George III Cuban mahogany library / reading table

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George III Cuban mahogany library / reading table

A beautiful George III Cuban mahogany table, Engeland c. 1800s. This occasional table can be transformed into a library / reading table. The table is height adjustable up to 120 cm/ 47.24 inch. Engeland c.1800s. Dimensions: H74 x 69 x 51 cm. H29.13 x 27.17 x 20.08 inch.
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A large late 19thC silver plated jardinière

SOLD

A large late 19thC silver plated jardinière

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A large Napoleon III mirror.

A spectacular mid 19th Century Napoleon III Hand Carved Giltwood Mirror. Original beveled oval mirror, dated on the back 1862. France c. 1860s. Dimensions: H186 cm by 138 cm H73.23 by 54.33 inch.
A Duck / lobster press by Cailar&Bayard

A Duck / lobster press by Cailar&Bayard

A beautiful late 19thC / early 20thC. silver plated duck/lobster press by Cailar&Bayard Paris. In perfect condition and working order. Dimensions: H52 cm x w35 x D 20 cm. H20,47 x W13,78 x D7,87 inch.
Pair of Art Nouveau double overlay Bohemia crystal vases.

Pair of Art Nouveau double overlay Bohemia crystal vases.

Pair of Art Nouveau double overlay Bohemia crystal vases. Circa 1910s. Perfect condition! Dimensions: H35 by 12.5 m. H13.78 by 4.92 inch.
SOLD
Pair 19th century Louis XVI style marble urns.

SOLD

Pair 19th century Louis XVI style marble urns.

A stunning pair of French 19th century Louis XVI style marble and ormolu lidded urns. France c. 1880. Dimensions: H52 x W27 x D20cm. H20.47 x W10.63 x D7.87inch.