Philippe Schuermans
  • plaster of a skinned horse after Isidore Bonheur
  • plaster of a skinned horse after Isidore Bonheur
  • plaster of a skinned horse after Isidore Bonheur
  • plaster of a skinned horse after Isidore Bonheur
  • plaster of a skinned horse after Isidore Bonheur
  • plaster of a skinned horse after Isidore Bonheur
  • plaster of a skinned horse after Isidore Bonheur
SOLD
plaster of a skinned horse after Isidore Bonheur

1200 €


Plaster of a skinned horse after Isidore Bonheur. About 1930. Beautiful patina. Good condition, small chip at the tail and the base. Dimensions L36cm x H32cm x d9cm

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Philippe Schuermans
Address:
Puces de Saint-Ouen
Marché Paul-Bert
96-100, rue des Rosiers
Allée 1 - stand 43 + 45 ,
93400 Saint-Ouen
Region: île-de-france
Country: France
Tel.: +33 (0)6 23 78 24 95
E-mail: info@pschantiques.com
Website: www.pschantiques.com
Pair of antique African sugar grinders, early 20th Century.

Pair of antique African sugar grinders, early 20th Century.

Pair of antique African sugar grinders, early 20th Century.
Made from solid teakwood, timeworn textures and a deep natural patina, with beautiful traces of exposure and use. 
Can be used as display base or sidetables. 
Dimensions height 80cm x diameter 45cm
lead fountain , France , end 19th century

lead fountain , France , end 19th century

Lead fountain. 
France. End of 19th century. 
Height 58cm.
Representing a putti holding a fish.
Beautiful patina.
Mirror (size 50x70) surrounded by a frame in mangrove root.

Mirror (size 50x70) surrounded by a frame in mangrove root. 

Mirror (size 50x70cm) surrounded by a frame in mangrove root. Around 1970.
large trampart mirror , dated 1913

large trampart mirror , dated 1913

Large mirror frame, trampart , folkart , very widespread at the beginning of the 20th century, made with reclaimed wood like cigare boxes or fruit crates. 
Dated 1913.
Dimensions 120 x 95 x thickness  6cm
SOLD
large ceramic vase by Paul De Bruyne , around 1970

SOLD

large ceramic vase by Paul De Bruyne , around 1970

Brutalist XXL stoneware vase, very nice combination of glazed structures, cubist shapes and brutalist influences, contains a mix of brown, yellow, green and blue colours. Made from heavy and thick clay, unique piece, 1970' s and signed by Paul De Bruyne (Belgium 1936-2007).
Dimensions H 75cm x Diameter 50 cm.
Graduated at the Higher Institute Sint-Lukas in Ghent. And was a teacher at the Royal Academy and the Sint-Lukas Institute in Oudenaarde and at the Sint-Barbara College in Ghent. De Bruyne created an oeuvre as a ceramist, in which he also considered ceramics as a part of architecture and interior design. This led to the realization of works of art, utensils, ornaments and ceramic sculpture, integrated into architecture. 
Exceptional enamelled cement mantlepiece / fireplace by Rogier Vandeweghe for Amphora

Exceptional enamelled cement mantlepiece / fireplace by Rogier Vandeweghe for Amphora

Exceptional enamelled cement mantlepiece / fireplace by Rogier Vandeweghe for Amphora.
According our records no more than ten(10) have been made. Only one, very similar to the one we present, is located in a private estate in Zwijnaarde (near Ghent). See last photo.
Signed Amphora. Circa 1979.
Dimensions H 252cm x l 261cm x D 68,8cm
Rogier Vandeweghe (Ruiselede, 1923 - Bruges, 2020) was a Belgian ceramist, glass artist, calligrapher and painter.
Rogier Vandeweghe, together with his wife Myranna Pyck founded in 1952 a studio (ceramics and glass window company) in Perignem and later Sint-Andries (Bruges), where they produced exceptionally subtile glaze.
In 1960 Rogier and Myranna gave their company the name 'Amphora'.
Rogier's designs received international recognition with a second prize at the Concorso Internazionale della Ceramica in Monza (Italy) in 1960 and an award at the International Handwerkmesse in Munich in 1963. The ultimate crowning of Rogier's ceramic creations took place in 1964 with a 'Medaglia d'Oro della Presidenza del Senato' at the Concorso Internazionale della Ceramica d'Arte in Faenza. In the 1960s Amphora gained fame for its refined vases with a graceful silhouette in which Rogier Vandeweghe was able to fully indulge as an esthete.
large modernist architectural 4-armed candlestick by the Belgian sculptor Roger Bonduel (1930-2019) in welded and patinated steel.

large modernist architectural 4-armed candlestick by the Belgian sculptor Roger Bonduel (1930-2019) in welded and patinated steel.

Very large modernist architectural 4-armed candlestick by the Belgian sculptor Roger Bonduel (1930-2019) in welded and patinated steel.
This candlestick is modularly constructed from 4 parts with a central attachment point, allowing you to play with the order and heights of the arms.
Made by Bonduel for a modernist chapel in Belgium, unique piece.
From 1961 to 1966, Roger Bonduel taught visual art at the Academy of Fine Arts in Bruges.
Bonduel became best known for its sculptures, furniture, and bas-reliefs.
He used nickel, copper, steel, silver, brass and bronze.
He played an important role in the revival of religious art. Known for his mastery of metal, Bonduel, who collaborated with modernist architect Paul Felix and glass artist Michel Martens, brought energy and movement to each piece he created. 
Diemensions H 100cm x L 120cm x D 75cm
SOLD
cubist ceramic sculpture representing a reclining figure or maybe a mairmaid by Paul De Bruyne

SOLD

cubist ceramic sculpture representing a reclining figure or maybe a mairmaid by Paul De Bruyne

Cubist ceramic sculpture representing a reclining figure or maybe a mairmaid. Very nice combination of straight lines and solid shapes with small details such as 2 eyes.

Made from heavy chamote clay and unique piece.
1970' s and signed by Paul De Bruyne 
(Belgium 1936-2007).
Graduated at the Higher Institute Sint-Lukas in Ghent. And was a teacher at the Royal Academy and the Sint-Lukas Institute in Oudenaarde and at the Sint-Barbara College in Ghent.
De Bruyne created an oeuvre as a ceramist, in which he also considered ceramics as a part of architecture and interior design. This led to the realization of works of art, utensils, ornaments and ceramic sculpture, integrated into architecture.
Almost all his works were inspired by humanity and society of the 1960s and 1970s.
Dimensions L 70cm x H 40cm x D 10cm
Totem sculpture in burnt wood by the Belgian artist Jacky De Maeyer

Totem sculpture in burnt wood by the Belgian artist Jacky De Maeyer

Totem sculpture in burnt oak by the Belgian artist Jacky De Maeyer, born in 1938 in Ostend. 
The sculpture has an anthropomorphic form with influences from African art, and dates from 1971.
Signed. 
He has his studio in his native city and in Gordes (France). Since 1960 his work has been shown in over 300 solo and group exhibitions in Belgium and abroad, including in the United States, Switzerland, France, Luxembourg, the Netherlands, Greece and Korea. 
A number of monumental sculptures can be seen in different public places. The stylised shapes evoke, on the one hand, an archaic world of signs and symbols and on the other hand, a common spirit with the cultures of Africa and Oceania. In his oak sculptures, Jacky De Maeyer draws his inspiration from the organic world, stylising it into forms that are a synthesis between organic and geometric; ovals, pyramids, spheres are built up vertically in undulating or straight lines, either in a totemic symmetry or using an asymmetry that creates a harmonious tension.
Dimensions H 73 x B 43 x D 15cm
Totem sculpture in burnt wood by the Belgian artist Jacky De Maeyer

Totem sculpture in burnt wood by the Belgian artist Jacky De Maeyer

Totem sculpture in burnt oak by the Belgian artist Jacky De Maeyer, born in 1938 in Ostend. 
The sculpture has an anthropomorphic form with influences from African art, and dates from 1971.
Signed. 
He has his studio in his native city and in Gordes (France). Since 1960 his work has been shown in over 300 solo and group exhibitions in Belgium and abroad, including in the United States, Switzerland, France, Luxembourg, the Netherlands, Greece and Korea. 
A number of monumental sculptures can be seen in different public places. The stylised shapes evoke, on the one hand, an archaic world of signs and symbols and on the other hand, a common spirit with the cultures of Africa and Oceania. In his oak sculptures, Jacky De Maeyer draws his inspiration from the organic world, stylising it into forms that are a synthesis between organic and geometric; ovals, pyramids, spheres are built up vertically in undulating or straight lines, either in a totemic symmetry or using an asymmetry that creates a harmonious tension.
Dimensions H 65 x B 26 x D 15cm
 
coffee table, slate top, by the Belgian sculptor Jules Dewaele, better known as PIA MANU.

coffee table, slate top, by the Belgian sculptor Jules Dewaele, better known as PIA MANU.

Coffee table, slate top, tin lis relief, métal base.

Unique piece by the Belgian sculptor Jules Dewaele, better known as PIA MANU.

As a great collector of fossils and trilobites, Pia Manu takes a fossil tin form that he superimposes on the table top in combination with slate mosaics.
The base of the table is made of oxidated metal, Pia Manu treatened metals with an oxidation process to give the metal a unique texture and patina.
 
Signed Pia Manu on the top.
 
Acquired directly from the artist in 1983 by the previous owner. Representative of the Flemish Brutalists. He models or sculpts primitive forms with materials of powerful texture or anti-poetic (as he calls them) using concrete, fossils, metals, glass, earth and slate.
Dimensions H 30 x L 160 x D 60cm.
 
XXL wall sculpture or sconce, by the Belgian sculptor Jules DeWaele, pseudonym PIA MANU

XXL wall sculpture or sconce, by the Belgian sculptor Jules DeWaele, pseudonym PIA MANU

Large hand crafted wall sculpture or sconce. 
Dimensions 170 x 90 x 10cm.
Unique piece made by the Belgian sculptor Jules DeWaele, known under the pseudonym PIA MANU.
Great collector of fossils and trilobites,
Pia Manu takes back on this sculpture with primitive and rough sculptural forms , primal forms created by the power of nature.
Made of concrete, iron and colored glass.
Circa 1970.
Representative of the Flemish Brutalists
he models or sculpts primitive forms with materials with a powerful or anti-poetic texture (as he himself calls them) using concrete, earth and slate.